Marc Chagall
The Green Bird, 1962
Colour lithograph
Framed
Framed
70cm x 53cm
Our “Modern Prints”, in the majority of cases, are posters designed by artists with the intention to advertise their exhibitions. These posters are based on an original draft by the...
Our “Modern Prints”, in the majority of cases, are posters designed by artists with the intention to advertise their exhibitions. These posters are based on an original draft by the artist. The dates printed relate to the date of the poster’s original production. In many cases the lettering was also designed by the artist.
The Green Bird
Colour lithograph
70cm x 53cm
Original lithographic poster printed for a Galerie Maeght exhibition 1962. Printed by Mourlot.
Honoured for his distinct style and pioneering role among Jewish artists, Marc Chagall painted dream-like subjects rooted in personal history and Eastern European folklore. He worked in several mediums, including painting, printmaking, and book illustration, and his stained glass windows can be seen in New York, France, and Jerusalem. Chagall arrived in Paris in 1910 and began experimenting with Cubism, befriending painters Robert Delaunay and Fernand Léger. Chagall’s style has been described as a hybrid of Cubism, Fauvism, and Symbolism, and his supernatural subjects are thought to have significantly influenced the Surrealists. Though he actively engaged in the Parisian artistic community, art for Chagall was first and foremost a means of personal expression. He preferred to be considered separately from other artists, his imagery and allegory uniquely his own.
The Green Bird
Colour lithograph
70cm x 53cm
Original lithographic poster printed for a Galerie Maeght exhibition 1962. Printed by Mourlot.
Honoured for his distinct style and pioneering role among Jewish artists, Marc Chagall painted dream-like subjects rooted in personal history and Eastern European folklore. He worked in several mediums, including painting, printmaking, and book illustration, and his stained glass windows can be seen in New York, France, and Jerusalem. Chagall arrived in Paris in 1910 and began experimenting with Cubism, befriending painters Robert Delaunay and Fernand Léger. Chagall’s style has been described as a hybrid of Cubism, Fauvism, and Symbolism, and his supernatural subjects are thought to have significantly influenced the Surrealists. Though he actively engaged in the Parisian artistic community, art for Chagall was first and foremost a means of personal expression. He preferred to be considered separately from other artists, his imagery and allegory uniquely his own.
Provenance
Catalogue raisonné: Mourlot, Fernand, Chagall Lithograph, 6 Bde., Monte Carlo 1960-1986Sorlier, Charles, Les Affiches de Marc Chagall, Paris 1975,
